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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 Drift

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관리자 2005-10-12 14:10

작가Entwistle, Trudi
This artist, a female artist from England, shows great interest in the environment and the nature. Especially, she chooses pure natural things excluding any artificial elements as her materials and engages in outdoor installation work. As an environmental artist, she gives higher priority to consideration for humans and nature. Most of her works are installed in an environment-friendly manner so that it looks like they make up a part of the nature. When the works contain some artificial elements, she places them in a way that humans and the environment can get along. The work going to presented for the 2002 Sea Art Festival is titled as “Drift” and sand and wood are the materials used in the work. The work has an element of process art in that the sand piled up on the wooden plates is going to be dispersed by winds, waves, and crowds during the exhibition period and the effect is going to be watched.
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