스킵네비게이션

Archive

Busan Biennale 2018

이전메뉴 다음메뉴
ArchiveBusan BiennaleBusan Biennale 2018Artists & ArtworksMuseum of Contemporary Art Busan

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2018 The Possessed Can Witness in Court II

Read 12,995

관리자 2018-08-21 11:51

작가Nikita Kadan

The Possessed Can Witness in Court II, Metal construction with lightbox, photograph, plants, coal, takeaway leaflet etc., 220 x 150 x 70 cm, 2015, Courtesy of M HKA, Museum Of Contemporary Art, Antwerp

Nikita KADAN
The Possessed Can Witness in Court II

In Busan, Kadan shows The Posessed Can Witness in Court II (2015), a metal shelf featuring a set of objects from the artist’s private collection. The pieces reference the Soviet history of the current conflict zones between the Ukraine and Russia: Crimea and the Donbass region. Once in line with
state ideology, these objects are now detached from such ideological narration, whether it’s artillery shells from East Ukraine or a model for a Lenin monument by an unknown artist. Combined with plants and further works by Kadan, the ensemble creates a subject narrative beyond the control of any state-approved politics of memory

TOP