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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Gim Ikhyun

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관리자 2022-12-29 15:52

작가Gim Ikhyun
Into the Light, 2022, Single-channel video, rear projection, sound, 25min.
 
Constructed in 1905, Jeroe Lighthouse is the oldest modern lighthouse in Busan. The lighthouse suspended operations in 2001, before being relocated below the Busan Harbor Bridge. Although its light was visible every night a hundred years ago, it is surprisingly difficult to find photos of the lighthouse at night when it was in service. While present-day camera technology allows anyone to capture crisp images of objects in the dark, the lighthouse can no longer light up the night sky. Into the Light revisits such light of the distant past left uncaptured by photography, placing it alongside the invisible data that zips through fiber optic submarine cable faster than any camera shutter can snap. At this intersection of light is also the route of the express train Hikari (ひかり), which once traversed across the Korean peninsula from Busan to Bongcheon in Manchuria. Traveling aboard the aptly named Hikari (meaning “light) or its contemporaries Nozomi (hope) and Akatsuki (dawn), the passengers chased their dreams and ideals along the railways’ diagram. Just as the train map marked with time, distance, speed, station names, and train routes newly parceled out the urban landscape of modern Busan, re-examining such history through photography signifies endlessly segmenting the elapsed time and landscape. In his work, Gim cross-examines premodern infrastructure alongside the trajectory of the light passing through his photos. Gim recombines photographs by others, whether it is of the seabed fiber optic cables trailing from Busan to Chiba in Japan, the Hikari train, the Boso Peninsula in Chiba now inaccessible due to the pandemic, or a collectors photos of the lighthouse found in a thrift store. Through his work, Gim beckons the viewers closer to the tension between the visible and the invisible as he re-imagines a slightly different geopolitical spacetime that manifested in modernity.
 
Gim Ikhyun

b. 1985, Busan, South Korea
Lives in Suwon, South Korea

Gim Ikhyun uses the media of photography and video to speculate on the connections and discontinuities of exceeding large and small units, from the time frames of past and present to the nano-scale world and global value chains. Establishing new perceptions and concepts of mobility, he remembers, imagines, and observes the unseen presences that connect and separate us. In addition to the solo exhibitions Chair Flying (Gyeonggi Museum of Modern Art, Ansan, 2020) and Looming Shade (Sansumunhwa, Seoul, 2017), he has taken part in numerous international events and group exhibitions, including To you: Move Toward Where You Area (ARKO Art Center, Seoul, 2022) and SeMA Biennale Mediacity Seoul 2016. In 2017, he was selected for the Seoul Museum of Art (SeMA) Emerging Artists & Curators program.

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