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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2018 CONQUEST

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관리자 2018-08-21 11:55

작가Ferhat Özgür

CONQUEST, 2 channel video installation, 11min, 2016, Courtesy of the PILL and the artist

Ferhat OZGUR
CONQUEST

For the Busan Biennale, Ozgur has cast a deep historical perspective. His video Conquest (2016) takes as its subject the May 2016 celebration of the Ottoman army’s conquest of Constantinople in 1453 through which the city eventually gained its contemporary name Istanbul. Organized by President Recep Tayyip Erdogan’s government, the event was a massive show of national pride and strength amidst a period in which Turkey, in the wake of the wars in Iraq and Syria, as a military player in the region, is mainly concerned with suppressing struggles for an independent Kurdistan in or near its territory. Using a double projection as well as interviews, Ozgur presents a complex picture of this celebration and its ideological functions. Given that the event took place on the eve of what would become a failed military coup, Conquest takes on resonance as a destabilizing document of this turbulent period of Turkey’s still unfolding history.

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