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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 You and me

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관리자 2014-09-16 09:21

작가Soonja HAN

2014
5 colored transparent film
Installation of Glass 
2,360×292.5cm

You and me

Soonja Han creates paintings, photos, videos, and site-specific artwork. Her works are coherently centered on the organic forms that give dynamics to geometric abstraction, a development rooted in the Minimalism art movement. Just as the rectangle, which consists of horizontal and vertical black lines, manifests Mondrians¡¯s ideas about the root of minimalist form, Soonja Han uses the matrix of circles to register the movement of post-kinetic art, which implies the dynamics of nature, such as circulation, generation and entropy. Soonja Han¡¯s work in situ is at the entrance of the second floor gallery of the Biennale. The piece fills the space with waves of light. Variously shaped and colored circles are collaged on the window, diffusing light that passes through the window. The light fills the whole space, showing the plateau of synesthesia as if Orphism paintings became the real life.
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