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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 L'épouvanté, Fénautrigues, Lot, Fr., été 1991

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관리자 2014-09-16 10:13

작가Jean-Luc MOULÈNE

2004
Cibachromes mounted on aluminium
121×151cm
Edition 3

L'épouvanté, Fénautrigues, Lot, Fr., été 1991

Artist, designer, sculptor and installation artist, Moulène works with body, object, letter, idea, iconic diversion and intense exhibition of the flesh. Colors and materials in the process of emergence of a unicellular art form and formal interaction between color and materials. Expressed in apparent chaos and cacophony, the artistic reflection of the artist is a reflection of the intellectually interpreted present, and is a reflection of all the images being manufactured by drifting consumer society.
His works offer a range of characters as Dadaist iconoclasm, otherwise a reflection of formal saturation, and it offers a poetic and an ¡°organic–formal¡± refuge, that bring us to somewhere over the internal horizon in search of enviable sketches.
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