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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 Untitled

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관리자 2014-09-16 10:35

작가Denis CASTELLAS

2005
Oil on canvas
230×190cm
Bernard Massini Collection

Untitled

At the border of incompleteness, Denis Castellas configures the whole of mutually independent potentials that shape a unique relationship between painting, photo, and film. Denis Castella restricts reproductive beginning from the convention of painting which time of creation is fixated on canvas but make painting and drawing co-exist while clearly expressing the relationship that divides drawing and painting in somewhere between its own internal architecture. He transforms painting into metaphysical space. The art being progressed in this metaphysical space implies the fact that artist may exist again ( in the space). Because through working the material, painting can retain, yet to be specifically realized clear flexibility of an artist, but keeps artist as the subject at the crossroads of hypothesis that lead the artist to its own conclusion.
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