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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 Parallel World_Paradise

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관리자 2014-09-16 10:46

작가Changwon LEE

2014
Mirrors, yupo-print, LED lighting, pedestals
Various dimensions

Parallel World_Paradise

The artist Changwon Lee's work world deals with the matter of perception about things to be seen and its phantom. It is about the phantom that light and shade as the essence of images create, and reveals it as a virtual image through the play of mirror and light.
The work <Parallel World> exhibited at this Biennale metaphorically expresses the image of illusion according to the displaced relationship between the two-dimensional virtual space created by shadow and the three-dimensional installation on the plinth, as if to remind us of Platon's cave images. The silhouette as the fragmentary reflected surface by the mirror attached newspaper collage on the plinth, reveals the essential self-reflexivity of images and symbolizes the question about seeing through ambiguous outlines and dull images. The transferred image by the reflection of reproduction reveals the figural image called the shape and afterimage of shadow, as the perception of plane by the penetration and reflection of light.
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