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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2010 1. Structure & ForceㅡID 2. Language Series

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관리자 2011-04-11 22:48

작가SHIN Sang Ho
In his art practice, Shin Sang Ho has concentrated mainly on ceramics. He has been working as an artist for close to 40 years, but even now at more than 60 years of age, he continues indefatigably to challenge himself to new ceramic techniques and to meditate through the production of his art. The way in which his art is constantly changing never fails to surprise us.
The works from "Dream of Africa" that are part of this exhibition are 26 ceramic sculptures in shapes that express living beings in an even more abstract way, and an expecially large-scale two-dimensional work from the "Language" series developed from "Field Painting." The works in Shin's "Language" series contain numerals, said to have a meaning that can be immediately understood by one particular person, but the artist himself does not divulge their meaning. It is "language" that can only be exchanged between the artist and some other unspecified person.
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