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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2010 Bipolar of time

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관리자 2011-04-11 22:20

작가Zhao Zhenggwu
Structure of reinforced concrete is a kind of artificial material rather solid. It is the basic materials for constituting the life of modern human settlements, and urban civilization starts form this point of base, and then expands extremely. Indeed, I believe that it owns powerful expansibility and penetration. However, it seems that the sole existence of human‐being in the reinforced concrete structure owns the agony and the crisis of existence.

I come up with an idea that I want to fill the mixed cement to vicinities of a boat one‐thousand year ago so that both of them can be solidified with each other. A boat longs for a sea; however, the concrete makes the boat‐body solidified and constricts the freedom of penetration bounded. However, I silently view the contradictory relationship of its concept between the mutual exclusive relationships, and I find out the troubles for modern human‐being who wanders among the evolutionary crossroads.
I’d like to ask what you are thinking when facing the strange object mixed with bipolar of time.
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