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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2010 OOM(Out of the Mercy) Busan Ver.

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관리자 2011-04-11 22:12

작가Kiichiro ADACH
Most works by this former Tokyo student of architecture and interior design could be described as caricatures of the environment that informs our modern lifestyles.
Adachi frequently adopts a motif of toys. Toys are designed with fun in mind, but this artist takes what were originally playthings of tabletop dimensions and renders them larger than life, even larger than human beings, this upsizing exposing the brutal nature of how toys move.
This latest work, O.O.M. Busan Ver.is adorned not with plants but seaweed etc. harvested from the sea near Busan. The oceans are, after all, the source of alllife, and probably the greatest gift to this planet by that mysterious "something." Reminiscent of a creature crawled out of the sea, yet writhing alone on the shore, cut off from the nurturing sea, it is nothing less than a caricature of us, the human race, who view "nature" as something separate from ourselves, despite our evolution from just such a primitive life form.

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