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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 어디든 어디도 아닌

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관리자 2009-08-27 16:06

작가YEO-RAN JE
There`s a good reason why Je Yeo-Ran`s works raise the question of maintaining the center and balance. Of course, no where in her painting are these issues delt with directly, as if in text book style. Yet there is distinctly no possibility of confusing left and right, and top and bottom which is typical of abstract paintings. Furthermore, they show nosigns of being off center, which is a technique so prevalent in paintings these days. The essence is to pick up on the sense of balance and equilibrium which is subtly expressed by the interchanging of lines and space formed by the lines stroked in multiple directions as mentioned above.
The artist,Je Yeo-Ran,in studying the variety of issues concerning modern art, modern painting in particular ,apparently raise the question of the raison d'etre for her works. In the process of centrality and equilibrium and taken it upon herself to address the issue purely from the standpoint of paintings so as to free them from the confines of styles and frameworks of the past.
This issue deals with both the physical and psychological sides of human beings. In sort, they are both physically and psychologically Consequently, these roots are what make it possible for the universal values of all classical works of art to be passed on throughout history and time.
To make things a bit clearer, the recent works by Je Yeo-Ran have raised the aforementioned classical problems of centrality and equilibrium as fundamental problems in painting.
- Park Rhai-Kyoung, "CRITICIS- `Je Yeo-Ran's world of painting", SPACE (July 1997)
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