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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 Two of my still valid quotations from the past

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관리자 2009-08-27 16:03

작가GU-YOUNG HE
1. A work is no longer 'myself', and should be an object of which I cannot be part. It is no more a language, an object, or an image. In other words, it is an object of non-language, non-object, and non-representation, and that is why I needed the language, object, and image. What drifts endlessly amongst them ... I am not searching for something there, but to learn a tolerance to let myself go.(Sept. 1994)
2. Time is like a bundle of pleats that accumulated over the times... Time is between the gap, margin, or interval of moments and differences. (Sept. 1997)
This work is completed by drawing the contours of the shadows of some objects in the actual space. It originated from the interest in topological anamorphosis that the shadow projects, and it is a manifestation of the interest in material world and non-material or non-fixed world, which parallels and counters to the former. I am possessive about the objects in the drawing out of the fear that they will vanish or be absent from the painting, but it is a consequence of an experience that builds up as the work is on the production process.
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