스킵네비게이션

Archive

Busan Biennale 2018

이전메뉴 다음메뉴
ArchiveBusan BiennaleBusan Biennale 2018Artists & ArtworksMuseum of Contemporary Art Busan

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 A Monoment for the Invisible

Read 12,405

관리자 2009-08-26 17:29

작가Anu Pennanen(Finland)
ANU PENNANEN HAS BEEN WORKING with film to examine changes in urban exterior due to urban development of development ideology and the visible and invisible impact these changes have on residents. A Monument to the Invisible uses the perspective of a blind woman to explore various sections of Helsinki. It is part of the artist's project for exploring res created by new urban planning. The visual element, such s store signs, advertisements, architectural structures, and public facilities re elements that forcibly determine modes of urban living. However, the slow and accidental movements of the blind woman in this work re free from the coerciveness of the visual elements, and they re the elements that complete the perspective of the pedestrian who can newly appropriate the city.
TOP