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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 As if(New World)/As if(Tennis Court)

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관리자 2009-08-26 17:27

작가Christian Merlhiot & Boris Vapné
CHRISTIAN MERLHIOT was presented in the Busan Biennale 2004, with his work Journey to Transylvania, a video installation work. This tear he shows, with Architect Boris Vapne', video work that is a three-dimensional animation of virtual city. A leader of the Artists' Cinema group Pointligneplan, Merlhiot searches for new level of film narrative structure in work that deals with travel to unfamiliar places. In the work As If(Tennis Court), a fast-moving tennis ball becomes the camera, and the work urges cities to become self-ware of their space. Along with this work, Merlhiot is also showing As If(New World). This is documentary of residential construction project in the southern-most tip of Argentina.
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