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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 Gold

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관리자 2005-10-13 11:37

작가Dominique Gonzalez-Foerster
Exploring the relationship between fictional and real space, Gonzalez-Foerster takes spatial and temporal distance as a reason to travel. On her journeys, sensory representation related to spaces that might have existed or that have actually existed but are unknown are repeatedly traced back using memory, light, sounds, temperature, atmosphere and dreams. As she has refused to follow the flow of physical time in his works, the audience is left in a peculiar time structure where new stories can be completed by themselves. It is the anticipation of future which prevails the structure of the narrative that makes us feel strangely familiar with those science-fiction like images. Gold, a collaborative work done with Ange Leccia in 2001, can indeed be called a neo-road movie of the global era.
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