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Busan Biennale 2002

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 Harmony

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관리자 2005-10-12 14:19

작가Kang, Kwan-Wook
Kwan-Wook Kang, who is an expert at stone sculpture and well versed in the realization of the human body, can be distinguished from realistic sculptors, in that he highlights and magnifies or enlarges a part of the human body. He is interested in interpreting human lives from the naturalistic points of view, saying "Humans are the brightest part of the nature". To express his way of interpreting human lives, he borrows the from of human figures and carves by inspiring the energy of life into cold stone. His artistry is so outstanding that detailed muscles and blood vessels are accurately realized on the hard granite. He is planning to sculpt the hands of two well-built men to symbolize "The Plaza of Harmony", which will be included in the Asiad Sculpture Plaza. He is carving the wrists held tightly on the 4-meter-high large granite with the greatest craftsmanship. This stone sculpture, which symbolizes encounters and harmony, embodies the tenacious and persistent lives of the Korean people and the Asiad for the united world
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