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Busan Biennale 2002

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 Big Cloud

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관리자 2005-10-12 14:18

작가Hashimoto, Yoshimi
Yoshimi Hashimoto, who is working in Asia and Europe, presented many openwork-type stone sculptures expressing oriental thoughts. Through the symposiums in various countries and the private exhibition in the International Art Fair, he has been recognized as a stone work expert experimenting freely with abstract art and concrete art. However, he has focused on the extremely fantastic techniques, breaking away from his previous stone work techniques and transcending the concept of stone or properties of materials. Series works, with cloud being the subject, are the representatives and they have attracted considerable attention, suggesting a new direction in the stone work sculpture. The 7 masses of stone, which will be displayed on the Asiad Sculpture Plaza, are connected stones and it is interesting to note that some stones among them used the concept of kinetic art moving back and forth.
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