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Busan Biennale 2002

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 The Sound of Silence

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관리자 2005-10-12 14:18

작가Kim, Chung-Jung
The work is going to exhibit in the Asiad Sculpture Plaza has a symbolic bur interpretable form, which contains more humorous and humanistic associations. In some way, it looks like it is the enlarged form of tops and bunches of traditional Korean brass coins. Therefore, this work expresses the rules of integration and repetition in the vertical and horizontal arrangement. In short, this work has clear concepts, poetic metaphor, consistent logics, and soft touches. By symbolizing the emotional world of the plastic image containing thought and logics through the principle of abstinence and balance, the artist tries to present his consistent idea that emotional aspects such as feelings and imagnation are above the theoretical work.
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