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Busan Biennale 2002

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 Progress 2002-A

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관리자 2005-10-12 14:15

작가Kim, Young-Won
This artist has been critically recognized to be very proficient at combining the true realization if human bodies with the spirituality. He does not look at the human bodies from the naturalistic or realistic points of view but rather tries to show the process of the spiritual change through the process of the physical change brought about in the process of life. Especially, this work is characterized by the modeling of the relation between the physical change and the spiritual situation. This work, which will be installed in the grass part of the Asiad Sculpture Plaza, is composed of 5 figures changing gradually to express the philosophy of cycle dealing with the transience of human life, where humans are born and grow up in the nature and go back to the nature. This is a kind of process art and rather than dealing with the present time, it raises metaphorical questions by connecting the past, present and future. In other words, the logics of cycle asking repeatedly the meaning of our existence is kept beneath.
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