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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Mire Lee

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관리자 2022-12-16 16:13

작가Mire Lee
Landscape with Many Holes: Skins of Yeongdo Sea, 2022, Scaffolding, wasted oil, fence fabric, 1620×2160×1660cm.
  
In her works, Mire Lee combines heterogeneous materials and forms to evince unique sensory experiences. For example, by mixing viscous liquids with rough substances often found at construction sitessuch as cement, resin, steel, and plasterLee generates tactile sensations from inanimate surfaces. She also creates kinetic sculptures and installations that seem to move or breathe slowly. Even from a distance, these attenuated movements permeate the body, inducing potent sensations beneath the surface. By arousing extreme emotions or physical tension, her works transform sterile representations and abstract forms into instinctive or animalistic states. In particular, viewers feel inexplicably drawn to, and eventually consumed by her large installations, which thus emphasize the inherent chaos of coexisting with countless other living beings. Lee has been expanding her art to explore the synthesis of organisms and machines, states of extreme coexistence, the fear and beauty of a finite existence, and relationships between women. For the Busan Biennale, Mire Lee has installed a new work at a building once used by Songkang Heavy Industries Co., Ltd, a company involved in shipbuilding. Notably, part of the buildings roof and walls were destroyed by a typhoon, exposing the underlying framework. The installation consists of a huge mass surrounded by porous shells, which subsumes the architectural skin and skeleton of the building as part of the work. Even with its enormous size, the structure resembles an organism swallowed by the abandoned factory, like a battered whale.
 
Mire Lee

b. 1988 in Seoul, South Korea
Lives in Amsterdam, Netherlands

Mire Lee pursues an experimental aesthetic as she explores the matter-of-factness and dynamics of industrial and technical materials, including machinery and scaffolds. Expressed through the act of working the materials physical aspects and textures by hand, her sculptural language evokes primal human desires and the sensory world. She has presented her work at the solo exhibition Carriers (Art Sonje Center, Seoul, 2020) and War Isnt Won by Soldiers Its Won by Sentiment (Insa Art Space, Seoul, 2014). She has also taken part in numerous international events and group exhibitions, including the 59th International Art Exhibition of the Venice Biennale (2022) and the 15th Biennale de Lyon (2019).

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