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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Edith Amituanai

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관리자 2022-12-16 16:04

작가Edith Amituanai
5011 District Sunset, 2022, Print on flex fabric, aluminum frame, LED lights, 350×525×18cm.
Pre Siren Battle Scene, 2021, Print on flex fabric, aluminum frame, LED lights, 350×525×18cm. 
Battle at North West, 2021, Print on flex fabric, aluminum frame, LED lights, 350×525×18cm.
Junior Afatia’s Car, 2021, Print on flex fabric, aluminum frame, LED lights, 350×525×18cm.
Up Snow White Battles for Siren King, 2018, Print on flex fabric, aluminum frame, LED lights, 350×525×18cm. 
 
Born and raised in New Zealand as the child of Samoan immigrants, artist Edith Amituanai creatively documents the Samoan community of New Zealand through photos and videos, paying special attention to immigrants, refugees, and teens. Her work captures the daily lives and experiences of a largely unknown community with whom she lives in close proximity, providing them with new social connections and a sense of belonging while raising important questions about migration, labor, the environment, and other local issues. Amituanai has recently focused her energy on a photography and video series about “Siren” culture, first popularized in Auckland, wherein various crews install customized speakers in cars or on bicycles and blast music in public places, sometimes in competitions. The tail of Siren culture has been passed on from the locals as it began at Tonga High School, where a group of innovative teens reportedly reprogrammed the school fire alarm (or siren) to play from a Bluetooth speaker. The culture then migrated to Auckland, where it became a key platform for young people to express themselves. For this exhibition, Amituanais video Lau Pele Moana (My Darling Moana), featuring her friends, family, and local Siren crews, has been installed at Pier 1 of Busan Port, while her large photos of Siren crews are shown at an exhibition space in Yeongdo. In addition to being a womans name, “Moana” is also the Pan-Pacific word for the Pacific Ocean. Accordingly, the video reflects the dreams and reality of Samoans who dreamed of migrating across the sea, while the photos, most of which were taken at seaside locations in Auckland and Wellington, show the Siren crews transmitting sound waves across the sea towards the land.
 
Edith Amituanai

b.1980 in Auckland, New Zealand
Lives in Auckland

The New Zealand artist Edith Amituanai is one of the first artists of Samoan descent to use the photographic medium to capture images and footage offering insights into the experiences of migrant refugees and New Zealands Samoan community. Through her discourse on migration, labor, community, and family, she adopts interaction and communication with the world as a basis for examining different forms of cultural symbiosis in a broader sense. In addition to her solo exhibition Double Take (Adam Art Gallery, Wellington, 2019), she has taken part in such international events as the 10th Asia Pacific Triennial of Contemporary Art (Brisbane, 2021) and the Biennale Jogja XVI Equator #6 (Yogyakarta, 2021).

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