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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 To the land of hope

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관리자 2005-10-12 17:13

작가Chang-Gon Kim
Two figures suggestive of yin and yang, men and women, sky and earth, good and evil, and strength and weakness are created with granite. A pair of man and woman runs towards their goals together. The unique texture of granite can still be felt and the shapes showing the moving direction and the power catch viewers' attention. This volumetric work tries to capture health based on primitiveness and the contrast and harmony between the rough parts and the smooth parts maximizes the expressiveness of stone as a material. In addition, the artist experiments on how the large stone can internalize the human body as a subject matter and express externally in the abstract rendition of the work.

◦ Work Activities

· 1993-2003 Hongik Sculpture Exhibition(Kwanhun Art Gallery, Seoul)
· 1999 Contemporary Art Exhibition in Asia(Singapore)
· 1999 Korean Contemporary Art Exhibition Now(Wooduk Gallery, Seoul)
· 1991 Korean-Italian Sculpture Exhibition(Italy Cultural Center, Seoul)
· 1990 Korean Painting & Sculpture Exhibition of 10 Artists(Youngdong Gallery, Seoul)
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