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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 Sukkuram still exists?

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관리자 2005-10-12 17:12

작가Jong-Gu Kim
Using surrealistic imagination, the artist takes each part of human figures to pieces and puts them back. The artist presents each object and the whole figure with new meanings by altering and reorganizing the figures of various objects. The figure of this work takes a sedentary posture and combines various objects in part. It reminds people of Bangasayou Statue in the traditional Korean Buddhism. It arouses the reflection and introspection of the industrial society on the lost tradition. However, the way the artist conveys the message is not direct. Its elements like fables and fairy tales open the door to the freedom of interpretation.

◦ Work Activities

- Collective Exhibition
· 2003 Busan International Sculpture Exhibition(Busan Metropolitan City Hall)
· 2002 International Art Exhibition of Busan Asian Game-2002-Asian Spirit Exhibition
(Busan Cultural Center)
Asian Contemporary Sculpture Exhibition(Busan Cultural Center)
· 2000 Asian Contemporary Sculpture Exhibition(Fukuoka, Japan)
· 1999 Between Fetish and Meaning(Busan Metropolitan Art Museum)
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