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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 Continents Ⅱ

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관리자 2005-10-12 17:06

작가Jin-Soo Kim
The simplified shapes of the 5 continents on the earth such as Africa, America, Australia, and Europe, are placed and reconstituted on the steel plate. Continents are places for human beings and natural organisms to live in and the artist expresses her wishes for the peace of mankind, mutual prosperity, and natural ecology through this work. Anyone who has seen the world map can easily grasp the meaning of the work. Moreover, this work does not make viewers appreciate it from a distance but rather invites viewers to relax sitting on it and touch. This feature can be seen in the same context as "crossing-over", which is the theme of the Busan Biennale 2004, and seeks to narrow the "chasm" between works and viewers and pursues the mutual communication of crossing over each other.

◦ Work Activities

- Personal Exhibition
· 2004 Run-Roll-Hit-Roll-Run-Tick-, University Museum, Uni. of Califonia,
Santa Barbara, Califonia
· 2003-2004 JINSOO KIM TWENTY YEARS
· 1983-2003, Chicago Cultural Center, IL. Scottsdale Museum of Contemporary Art,
Scottsdale, Arizona
· 1992 Tacit Transit, Grand Lobby Project, The Brooklyn Museum of Art, NY

- Collective Exhibition
· 2004 Strange Days, Museum of Contemporary art, Chicago, IL
· 2001 International Sculpture Exhibit, Yanquing, China
· 2000 DMZ 2000, Korean Cultural Center, New York, NY
· 1999 Decades in Dialogue: Perspectives on the MCA Collection,
Museum of Contemporary art, Chicago, IL
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