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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 PreDream-Head

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관리자 2014-09-17 20:15

작가Shin Sangho


Glazed Ceramic
75x98x123cm(1ea)

PreDream-Head


Power of Modern Pottery
Having led the modern pottery in the mid- and late 1980s, I was considered to be a cult from those who were in traditional pottery and they are still jealous of me, which means I am always out of the frame of pottery and I think I have lived a life which cannot even be expressed with the word loneliness. What I want to say  is that the world, with a wider view of time and era, is the same term as changes and new things. I come to wonder what if traditions, history and contemporary we are saying cannot meet young generation's needs that require changes and freshness. I think it is natural to live with requirements made by the former rather than by the latter and it is not that wrong so I do my pottery work in that sense as well.

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