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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Volatile Topography

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관리자 2009-08-26 17:13

작가Hector Zamora
ZAMORA'S INSTALLATIONS SYNTHESIZE architecture and visual art. Recently he has received attention for his installations with large plastic tubes and his reconstructions of building exteriors to create new kinds of esthetical structure. The artist defines himself as an investigator of meanings and recorder of the process of spatial transformations. For him nature is the axis round which his activities and experience evolve. Through his analysis and precise calculations of urban landscape, architectural structure, and organic forms of nature, his work combines nature, architectural devices, and quotidian experience, thereby stimulating the viewer's perception and sensibility. His work enriches and renews our relationship with our surroundings. For the Busan Biennale Zamora's work entails construction of large net structure made out of red ropes, which connects both sides of the Oncheoncheon Stream, and to be levitated by dozens of balloons. In the given dull space, the artist creates contrasting, imaginative landscape.
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