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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Running Water [w]right House

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관리자 2009-08-26 17:12

작가Bert Theis
BERT THEIS SCRUTINIZES the low-rise tables that one often encounters in the allies of Busan. Running Water (W)right House was conceived by both the low-rise table and the plan for the renowned house in Pennsylvania, Falling Water, by Frank Llyod Wright. The exterior form of this piece is reduced version of the house by Wright that is located by the water Wheres the location of Wright's house is in a quiet and ideal place, the this low-rise table in Busan is situated within public space, a kind of urban 'jungle'. The immediate vicinity of the exhibition CAFE is situated next to Pusan National University, where residential apartment complexes and commercial establishments re all mixed up. It is a bustling re of high density in which large buildings continue to rise and the urban landscape changes on a daily basis. Despite such confusion and disorder, residents occupy a small re of public space s deemed necessary by their own accords. This work is a space intended for their rest and dialogue.
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