스킵네비게이션

Archive

Busan Biennale 2006

이전메뉴 다음메뉴

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Making Flower Shelter

Read 10,884

관리자 2009-08-26 17:00

작가Jae Choul Jeoung
JAE CHUL JEOUNG has been experimenting with the formal limitations of sculpture by means of variable systems and structures. Since 2000, the artist began to investigate a variety of everyday lives, and such explorations are now presented through travel. Recently Jeoung has shown his Silk Road Project, taken over two tears, which uses banners as mediator that reveals multi-layered and hybrid nature found among different cultures. The artist visited the local people in the countries on the Silk Rod such as Korea, China, Pakistan, India, and Nepal, and encouraged them to use the banners as they please for a certain period of time. Subsequently the artist revisited them and recorded how the banners were used and transformed in their daily lives. Tn the Oncheoncheon Stream area in Busan, the artist installed Chungsachorong (lanterns) that re mde from the recycled banners that he retrieved in Seoul.
TOP