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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Meeting Point

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관리자 2009-08-26 16:33

작가Inwhan Oh
In Whan Oh has been making works in which viewers can directly experience and respond to interpersonal relations, identity, and anonymity in a given area designated by the artist as a public zone. The current work consists of the artist looking for people with the twenty most common names he has selected from a telephone directory. A name from the list is announced over the public announcement system, and the visitors with the name called are invited to go to the artist's booth. A community is formed. Each person is photographed, and the participants can distinguish themselves from others in terms of both their appearance and identity. While this event is in progress, the participants will experience both homogeneity and heterogeneity simultaneously, not anonymously but personally.
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