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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Leclipse/Day for Night for Day……

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관리자 2009-08-26 16:28

작가Laurent Grasso
"MY INSTALLATIONS help me to project myself into another reality and help the spectator to project himself into that which is proposed, but also and above all to splice onto int another mental construction, something which comes from himself." In his work, the young French artist Saruent Garsso likes when the viewer feels displaced, sent elsewhere, disconnected, to construct a situation, a space-time framework. Working more with slowness than with speed: slowing things down, slowing 야주 the displacements, producing another feeling of temporality, there is always something hypnotic about his videos, sound piece or installation. Laurent Grasso uses cinematographic techniques to produce things other than film and to often talk about cinema. This is one of the process for him of creating mental spaces that influence our perception of reality and our notion of time.
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