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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Untitled(The Piper at the Gate at Dawn

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관리자 2009-08-26 16:34

작가Bruno Peinado
IN PERPETUAL MOVEMENT, both literally and figuratively Peinado's work regularly thwarts his own codes and audience's expectations. Well aware of the stakes and the concentrated flood of new things where all young artists are expected, Peninado also works the idea of failure, the break. or the freeze frame, which is represented by several works of art. Mobility/immobility, form/antiform, pure/antipure, paradoxes and contradictions underpin an intense and very extensive body of work. For Busan Biennal the artist has created a landscape in the shape of a monumental sculpture. He appropriates the reflection of images drawn from the media to redraw them by hand. Replayed in two dimensions, then executed in lacquered blacd metal, these images have been set out on revolving pedestals, as in an automobile showroom like a contemporary vanitas spinning round in a kitschy off-beat display with strobe lights and smoke effects.
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