스킵네비게이션

Archive

Busan Biennale 2006

이전메뉴 다음메뉴

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Capula Busan

Read 10,344

관리자 2009-08-26 17:11

작가Pedro Reyes
THE PORTUGUESE-BORN artist who has worked mainly in photography and drawing defines himself as a spectator of urban landscape. According to him, urban space is ultimately shaped by those who experience the space and through the endless process of construction and deconstruction. The artist\'s decentric attitude toward art is an influence from such words as The Death of the Author by Roland Barthes and the attitudes of Jean-Luc Goddard who considered himself to be a producer of images rather than a legendary auteur. Barateiro\'s work in the Biennale, Things will never be the same, is composed of video works and photographs. The photo installations look similar to the Situationists\' May 1968 posters.
TOP