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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Song Birds

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관리자 2009-08-26 16:16

작가Simon Starling
SIMON STARLING is intensely concerned with the process of transforming an object or material into something completely unrelated to the original, so much so that he seems to be taking the theme of cycle in which material and spirituality form a unity. However, his main interest lies not in exploration in the metaphysical and spiritual realm. Rather, he explores the possibilities in how modern rationalism, governed by econometrism, efficiency, and the outcome, can respond in more flexible ways in relation to nature, technology, and economy. his installation Song Bird s at Busan Biennale is an extension of geographical displacement, which is the basis of his work. Taking the Austrian architect Simon Schmiderer\'s modularized concrete house located in Puerto Rico, Starling has made models in one-fifth reduced version of the house located in Puerto Rico, Starling has made models in one-fifth reduced version of the house. Applying Schoenberg\'s atonal twelve-tone technique, Starling then installed the models upside down on the gallery ceiling. Due to the wire fence added on by the residents as a security measure, the reduced model appears as though it is a birdcage.
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