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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Chemtraum AM/FM

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관리자 2009-08-26 16:05

작가Nicolas Moulin
THE ARTISTIC STRENGTH of moulin lies in his ability to construct his own fictional world that he refers to as para-realities. Without relying on any characters of plots, audience experiences an endless confusion of fiction and reality, and realizes that she is participating in an act of psychological and mental projection. Moulin's main source of inspiration includes architecture, landscpe, and specific types of science fiction novels. Thus gis work guides us through the heart of the city, the suburbs, and the desolate areas within the city, enabling us to experience tranplanted memories and collective unconscious that is strange yet familiar. Moulin's works that occupy throughout the second and third floors of Busan Museum of Modern Art are structures such as bunders and shelters that are situated under the sky in which airplanes and missiles fly over. Within the structrures and missiles fly over. Within the structures audience will experience both anxiety and relief, as well as unique sensation in which one's mind and body seem to feel separated, located uncomfortbly somewhere in between unconscious and sleep.
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