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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Jonah Freeman

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관리자 2009-08-26 15:45

작가Jonah Freeman
JONAH FREEMAN examines American living spaces as though he were an anthropologist investigating surprising details of an alien tribe\'s dwelling. His video presentation centers on an immense fictive building somewhere in an anarchic future, similar to the movie, Blade Runner. By depicting the enclosed and void space in close-up shots and panoramic tracking, has work causes the space to reveal its essential uncannies. His photographic installation for Busan Biennale 2006, Stribling Passage, was created for his latest conceptual project. Paralleling his existing work, Franklin Abraham Building, Stribling Passage emphasizes tension between social classes.
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