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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Tyson, Car Smash, Tiger Girls. Etc

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관리자 2009-08-26 17:17

작가Steve Carr
FORM GLASS FRAGMENTS to video and photography, Steve Carr has used diverse materials and formats to reveal a fleeting beauty in ordinary daily lives. However, the moment of beauty in his work is related to the history of family inherent in society. The family histories and individual myths that we often critically approach are invested with his characteristic sense of humor, fulfilling the double duty as both constituent of family inherent in society. The family histories and individual myths that we often critically approach are invested with his characteristic sense of humor, fulfilling the double duty as both constituent of family and as observer. The personal myths in our ordinary plays and trivial activities that we enjoy lose their contexts and become reduced to a mere pastime. Carr appears in the most of his works exhibited at the Biennale, putting forth cheerful and infantile activities. These works inscribe in the viewers' mind creative interpretations on documentation of his surrounding world and the everyday lives.
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