스킵네비게이션

Archive

Busan Biennale 2006

이전메뉴 다음메뉴

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 모든 것이 같을 수는 없다.

Read 9,467

관리자 2009-08-26 15:32

작가페드로 바라테이로
사진과 드로잉을 주로 매체로 작업하는 포르투갈 출신의 페드로 바라테이로는 자신을 도시 풍경의 관람자로 규정한다. 작가에 따르면, 도시의 공간은 결국 끊임없는 구축과 해체의 과정을 통해 그 공간을 경험하는 사람에 의해 만들어진다. 미술 창작에 대한 이러한 작가의 탈중심적 사유는 롤랑 바르트의 <저자의 죽음>과 같은 개념이나 자신을 신화적 인물인 저자로 간주하기보다는 단순히 이미지와 더불어 작업하는 생산자로 여긴 장 뤼크 고다르의 영향을 적지 않게 받았다. 이번의 출품작 <모든 것이 같을 수는 없다>는 영상과 사진으로 구성되어 있으며, 특히 사진 설치는 1968년 프랑스의 5월 혁명 당시 파리 시가지에 붙었던 국제 상황주의자의 포스터들과 닮아 보인다.
TOP