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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Lost Performance(Memory of Lygia Clark)

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관리자 2009-08-26 16:07

작가Chan-Kyong Park
CHAN-KYONG PARK has shown works that critically re-interpret political contexts of the Cold War, which was the background for the division on the Korean peninsula. The work in the Biennale, Lost Performance(Memory of Lygia Clark), is a video-performance that borrows from the late Brazilian artist Lygia Clark's work Mandala(1969). His work applies the concept of body architecture-dance creating a web of elastic band. A small video camera is attached to each participant's body, and the participant's surrounding and interaction with the other participants are recorded in a multi-channel video. The performance takes place on the rooftops of buildings in Seoul and Busan. The scenes of very irregular and complex urban environments are indiscriminately reflected along with the movement of the bodies.
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