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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Aki Sasamoto

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관리자 2022-12-16 13:57

작가Aki Sasamoto
Movie: Yield Point, 2017, Single-channel video, color, sound, 21min. 44sec.
Flex Test—Steel, Tensile Test— Steel/Brass, 2017, Single-channel video, color, sound, 12min. 57sec.
 
Movie: Yield Point is a video work that is based on the performance of Yield Point, as a part of her solo exhibition of the same title, held in 2017 at The Kitchen, an art center in New York City. A “yield point” is the limit at which an object subjected to a force can no longer maintain its elasticity, resulting in permanent deformation. In the video, Sasamoto gives examples of elasticity and resilience, illustrated with diagrams and installations of a huge trash can, a plastic bag, and a trampoline. Through the artists descriptions, these unusual forms and materials eventually become metaphors for life, reminding us of our own capacity for resilience and creative change. By asking “How resilient are you?,” she prompts us to think about our own “yield point,” where our seemingly indestructible plasticity might give way to catastrophe through the action of invisible forces. This question soon evokes a broader narrative, forcing us to ponder the pressures that humans are now exerting on the earth and the inevitable onset of permanent transformation.
 
Flex Test – Steel, Tensile Test – Steel/Brass is one of the video works that are shown in the installation of Yield Point, and here paired with the Movie: Yield Point, which is shown on the fisrt floor. The latter video consists of simple shots of various hard materials, such as steel and brass, being pushed to their limit and eventually breaking. Notably, the metals fracture with a sharp, sudden noise, but the force that causes them to break remains unseen.
 
Aki Sasamoto

b.1980, Yokohama, Japan
Lives in New York, USA

A visual artist and performer based in New York, Aki Sasamoto collaborates with musicians, choreographers, dancers, mathematicians, scientists, and others. Drawing inspiration mainly from given environmental conditions and the objects that react to them, her work involves visualizing and choreographic them, as the artist uses her installation and performance work to express the bizarre emotions lurking in everyday life among objects that have been altered and arranged in meticulous ways. Her major solo exhibitions include Schematics (Bortolami Gallery, New York, 2020), Yield Point (The Kitchen, New York, 2017), and Menu (Take Ninagawa, Tokyo, 2017), and she has also taken part in the group exhibition Calder Now (Kunsthal Rotterdam, Rotterdam, 2021) and the 11th Shanghai Biennale (2016).

 

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