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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Tattoo

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관리자 2016-08-23 18:53

작가QIU Zhijie
QIU Zhijie, <Tattoo 2>, C-p rint, 100x80cm, 1996  © artist

QIU Zhijie, <Tattoo 1>, C-p rint, 100x80cm, 1996  © artist

QIU Zhijie, <Tattoo 3>, C-p rint, 100x80cm, 1996  © artist

QIU Zhijie, <A Thousand Times of Lan Ting Ji Xu>, Single channel video, 34' 38", 1992  © artist

[China]
QIU Zhijie
Tattoo 2
Tattoo 1
Tattoo 3
A Thousand Times of Lan Ting Ji Xu

Qiu Zhijie has received training on Chinese calligraphy and read widely on literature and philosophy since a young age. Once influenced by the Fluxes, he was one of the earliest artists to engage in conceptual art and art photography in China. A Thousand Times of Lan Ting Ji Xu is a calligraphic work copying the preface of Lan Ting Ji Xu (Orchid Pavilion) one thousand times, and documented the first fifty editions through photography. Other than the apparent calligraphic quality in its first copy, the editions thereafter only left mere visual traces of the ink, upon the fiftieth copy, even ink traces became difficult to identify, turning calligraphy into a Zen practice of writing. Tattoo series is considered an early representative work in Chinese conceptual photography. The “sense of volume” has been dissolved while the subject lacked resistance, by which the artist launched an attack on the existing clichés, questioning the panoptic of contemporary vision. From painting, photography, installation to video art and performance, Qiu’s artistic practice spans with otherworldly imaginations and rich philosophical footings. He focuses on the shattered aspects of society, juxtaposing traditional Chinese sceneries with modern icons. At the same time, he contests to the limit of the world, using various art mediums, discussing the relationships among them, the works of art and with the viewers.
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