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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 A Case Study of Transference

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관리자 2016-08-23 18:19

작가XU Bing
XU Bing, <A Case Study of Transference 1>, C-p rint, 42x29.7cm, 1993-1994  © artist

XU Bing, <A Case Study of Transference 2>, C-p rint, 42x29.7cm, 1993-1994  © artist

XU Bing, <A Case Study of Transference 3>, C-p rint, 29.7x42cm, 1993-1994  © artist

XU Bing, <A Case Study of Transference 4>, C-pr int, 42x29.7cm, 1993-1994  © artist

XU Bing, <A Case Study of Transference_Display Mock-up>, C-p rint, 29.7x42cm, 1993-1994  © artist

XU Bing, <A Case Study of Transference>, Silk-screen p rinting, 81.5x81.5cm, 1993-1994  © artist

[China]
XU Bing
A Case Study of Transference
A Case Study of Transference 1
A Case Study of Transference 2
A Case Study of Transference 3
A Case Study of Transference 4
A Case Study of Transference_Display Mock-up
A Case Study of Transference

Modularity, process, complexity and attributes of reprinting are the basic tenets of Xu Bing’s conceptual art. Book From The Sky (1987-1991) overthrew the cultural system and notion of text, marking a new tendency in the deconstruction of meaning in the post ’85 art movement. After his arrival in America in the early 1990s, Xu Bing began to question whether the communication between Eastern and Western culture was effective through the translation of languages. He adopted Eastern philosophies and cultures into his work, while thinking critically on language and other means of communication, the essence of art and culture, similarities and conflicts between objects and cultures. He proposed new ways of conversation and envisioned a dialogue of the East and West through his works. A Case Study of Transference set the space up into a pigsty. Prior to the exhibition, male and female pigs were carefully chosen to match their time of estrus. The work presents the fornication of male pigs tattooed with “book from the sky” in English and female pigs tattooed with “book from the earth” in Chinese. While the animalistic instinct shown under a mode of “culture production” in the name of “art”, the viewers were put under the awkward circumstance to discuss the “art”. This work satirizes the philosophical and conceptual approach of art, in the case of the most fundamental and insignificant phenomena of life, where does the boundary of art lay?
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