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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Slave genealogy (with three logs)- remake

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관리자 2016-08-23 17:25

작가KIKUHATA Mokuma
KIKUHATA Mokuma, <Slave genealogy (with three logs)- remake>, wood, cloth, mixed media, Installation, 500×320cm, 1961-2016

[Japan]
KIKUHATA Mokuma
Slave genealogy (with three logs)- remake

Kikuhata Mokuma lost his parents and remained homeless as he moved from one place to another. At a young age he taught himself how to paint and became quite good at it. He stood out as a member of the Kyushu Group, an avant-garde group formed in Fukuoka City in 1957. In the 1960s Kikuhata Mokuma released controversial artworks that escaped from the typical form of art in Tokyo and attracted attention as the leader of anti-art. However as Slave Genealogy released at that time shows, Kikuhata’s expression of anti-modern aspects based on folksy elements rather than avant-garde characteristics was not suitable to either Kyushu Group with its nature of Informel painting or radicalism in Japan.
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