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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 26 Selling Bread People "PUNISHMENT"

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관리자 2016-08-23 17:17

작가ORIMOTO Tatsumi
ORIMOTO Tatsumi, <26 Selling Bread People "PUNISHMENT">, June 13, 2004, Kawasaki City Museum, Kawasaki, Japan, Installation of wood, cloth, iron, stool, video, 2004

ORIMOTO Tatsumi, Performance <PUNISHMENT>

[Japan]
ORIMOTO Tatsumi
26 Selling Bread People "PUNISHMENT"
PUNISHMENT

Japan's representative performance artist of today, Orimoto Tatsumi, came across the lingering image of Fluxus, the happenings in New York, and became influenced by them while staying in New York for a long stretch of time, 1971. His work, Execution, will be projected onto a screen which happened in 1579. In this work, the same number of guillotines were used to execute 26 Christian martyrs subject to crucifixion in Nagasaki according to Toyatomi Hideyoshi's orders in Japan, this device was used around the world Today the baguette, a French bread which has become a part of our life, used to be a political symbol representing the body of Christ in Christian churches. Though it was new to East Asia, after the area of exploration and a bloody history surrounding colonial propaganda and ruthless suppression it has come to have the meaning it does today. He is asking this question once again.
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