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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 De-veloping/en-veloping;level casting

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관리자 2016-08-23 16:40

작가HONG Myung-Seop
HONG Myung-Seop, <De-veloping/en-veloping; the wall>, Paper, glue, Dimensions variable, 1978

HONG Myung-Seop, <De-veloping/en-veloping;level casting>, Cotton cordage, glue, Dimentions variable, 1978 - 1986

[Korea]
HONG Myung-Seop
De-veloping/en-veloping;level casting
De-veloping/en-veloping; the wall

Hong Myung-Seop was obsessed with sculptural work in different contexts going beyond the existing concept of sculpture based on mass and specified space. He was interested in work in a new area which cannot be specified. He set the concepts of shadowless, artless, and mindless in his works and experimented with expression going beyond existing art concepts. <De-veloping/en-veloping ; level casting>, <Will & unwill gesture ; Waterfall> also attempt to escape consistently to be differently expressed from the modernism in the existing formalism after the mid-1980s with totally different context. 
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