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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Vinyl tube spouting pigment

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관리자 2016-08-23 16:33

작가KANG Kuk-Jin
KANG Kuk-Jin, <Relation>, fabrics, rope, box, 30x100x100cm, 1972

KANG Kuk-Jin, <Vinyl tube spouting pigment>, Photography, 30x42cm x 5 photos, 1967.12.11

KANG Kuk-Jin, <Amusement of Visual Sense>, Neon, stainless steel, 280x46x46cm, 1967

[Korea]
KANG Kuk-Jin
Vinyl tube spouting pigment
Relation
Amusement of Visual Sense

As a member of the social groups of Nonkkol and New Exhibition, Kang Kuk-Jin exhibited Plastic Bag Emitting Colored Water in the form of a performance on the opening day of the Korean Young Artists Association Exhibition in 1967. It was exhibited three days before Incident with a Plastic Umbrella and Candlelight which was the first group effort of its kind in Korea. He attempted to “create artworks in daily life” with everyday supplies in Joy in Vision by utilizing waste materials like other Western-style works at the time. In addition, he lent urban emotion to his works through the use of neon lights and other materials. He sought after avant-garde works that could criticize civilization and reality which could not be contained on canvas through his initial performance art pieces such as Murder on the Bank of the Han River in 1968, Transparent Balloon and Nudity, and Feast with Colored Vinyl. 
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