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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 Sound for Insomniac

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관리자 2014-09-16 09:16

작가Su-Mei TSE

2007
5 photos, mp3 player 
104×104cm each

Sound for Insomniac

Cellist, musician, photographer and artist, Sui Tse brings many media to bear in her works. In video work, Desert Sweepers, the sound and rhythm of a broom stick brushing asphalt in the middle of desert, echoes the water wave, or wind-like elements in its sound. This piece was presented in Venice Biennale in 2003, where she received the Golden Lion award. Sui-Me Tse works with space and seeks a melodic way to live. She invents sound objects, such as headphones made ​​of shells, that take us on a journey to infinity. In this journey, music is the single accompanying trajectory.
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