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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2010 Rite of Spring

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관리자 2011-04-11 23:03

작가Katarzyna Kozyra
The work of the Warsaw-born artist, Katarzyna Kozyra, has expanded over the years from sculpture to performance. This time-related form of presentation opens up completely new possibilities of expression for her: vocal expression, costumes and narration that often come from a world of fairy tales but then build up the dramatic and lead into the absurd. The video installation "The Rite of Spring" that will be shown in Busan refers most clearly to the dance and the music of Igor Stravinsky and more specifically to their interpretations by famous choreographers like Vaslav Nijinsky whose original choreography is in fact regarded as lost. There exist thus "only" reconstructions, which gave Katarzyna Kozyra the motive for reconstructing the "sacrificial dance" herself into a circular movement of the dancers around the victim. The videos are installed in a circular form as a formal correspondence to the circle of dancers. The observer stands in the middle of the installation and becomes, in turn, a part of it.
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