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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2010 Stage of Meditation

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관리자 2011-04-11 22:21

작가Anxiong QIU
He originally studied landscape painting, but he learned oil painting at Kunsthochschule Kassel, Germany. After he moved to Shanghai in 2004, his artistic interest focused on video art and produced a video work in black and white whose concept was derived from traditional Chinese landscape painting. This work shows video images that resemble a traditional landscape in which the world of eternity embraced by intense silence. Later, his art took the form of animation comprised of black ink drawings made by his own hands, and this requires a great amount of time. this animation work can be regarded as a modern version of Chinese history books: it begins in the universe, undergoes the evolution of animals born in the grand nature of the earth, displays the birth of human civilizations, and repeats their transformation.
At a glance, Stage of Meditation shown here looks like a huge pot installed on the shore. A descending to the bottom of the pot reveals the presence of frames on the edges of the enormous pot. One can see a separated part of the sky and hear the remote sound of waves. As the title suggests, it is a space for meditation. All the viewers visiting this space will be greeted by some changes to both the world and the structure of their minds.
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