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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 클라이젠 플라스크

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관리자 2009-08-27 17:14

작가SHIMIZU JIO
Most of Shimizu's works evoke--via the sensory phenomenon obtained by enlarging subtle phenomena concealed around this physical world--thoughts of an extended time axis or "eternity" separate to that of human lifespan, and the connection between the boundaries of human perception, ie the place we call "here" and a space the scale of the cosmos.
Shimizu's Clausen Flask is a spatial work in which a laser beam shines on a glass flask of the type used in biology experiments, the diffraction of the glass giving rise to countless curtains of light transformed into wavelike moire patterns, suspended in the space.
What Shimizu has in mind here is the "other shore"--the place where the line between life and death becomes blurred. The ripples of light in this work, while robbing the viewer of any sense of distance, tempt him deep into the space. If you too were to venture beyond the curtains of light, perhaps your soul too, while of this world, would be suffused with something resembling a curious imagining of the realm of the dead.
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